12/23/2023 0 Comments Syntorial new programTaking two or more identical oscillators (same waveforms and pitch) and slightly detuning them away from each other is a classic tried-and-true way of adding some thickness to your sound. Vice versa if your cutoff is low, then resonance will peak your lows or low-mids and beef up your sound a bit. Increasing the resonance with higher cutoff values will have a narrowing and thinning effect on your sound. This one’s tricky because it’s effect on your sound’s thickness depends on your low pass filter’s cutoff. If you have more waveforms to choose from in your synth besides the standard saw/pulse/triangle/sine, begin dialing through them listening to the different thicknesses they each have until you find the one that gives you the girth you’re looking for. Square will give you the fullest sound, but as you begin to turn the pulse width away from square it will get thinner. If you’ve chosen a pulse wave as your sound, it’s pulse width control will determine how thick or thin it sounds. Turn it down to make it darker and rounder, turn it up to make it brighter and edgier. If you’ve chosen a bright waveform full of mids and highs, then you’ll be able to use the low pass filter’s cutoff knob to shape it. And you may find you love the tone of a bright waveform, but wish it was rounder. You may be lovin’ that sine wave, but a lot of the other synth’s parameters won’t have much effect on it. One thing to keep in mind though: the bright waveforms give the rest of your synth more to work with. For example, the saw and pulse waves are bright and edgy, while the triangle and sine are darker and rounder. Some are bright and edgy, some are dark and round. If you’re still not sure, the next few items on the checklist will help you decide. So go ahead and dial through the choices until you find one that piques your interest. But nowadays you’ll most likely have a lot of other options. At the very least you’ll probably have pulse, triangle and sine. Your other options will vary widely depending on your synth. A “traditional” synth sound that’ll work in most situations. The waveform is the raw clay out of which we mold our sound. 12 sonic attributes that will guide you through the murky water of sound-to-patch translation. “Which controls should I tweak to get that sound?”Įnter the Synth Patch Checklist. “What type of sound am I trying to make?” So how do we prevent ourselves from spiraling down the dark tunnel of trial and error madness? Well, for starters, instead of asking ourselves Overwhelmed are we by these magnificent creatures and their many knobs, buttons, sliders and switches, vying for our attention all at once. It’s a struggle that we synthesists must toil with ’til the end of our days.
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